Deepak Raja's world of Hindustani Music

Explorations in the realm of Hindustani music.

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The Musician and His Art: Deepak Raja

The Musician and His Art: Deepak Raja
Foreword by: Prof. Daniel M Neuman

The Raga-ness of Raga-s

The Raga-ness of Raga-s
By: Deepak Raja. Foreword: Dr. Ashwini Bhide-Deshpande.

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Popular Posts

  • Raga Desh – classicist as well as romanticist
    Peter Manuel, an authority on the thumree and allied genres, has listed Desh amongst “thumree ragas” – ragas of the Khamaj parent scale, fre...
  • Marwa, Puriya & Sohini: The tricky triplets
    Marwa, Puriya, and Sohini are three ragas born from the same scale (S-r-G-M^-D-N). The three are also amongst the most popular ragas in Hin...
  • Sampoorna Malkuns: the concept and its manifestations
    Though there are, indeed, raga-s by this name, Sampoorna Malkauns cannot be considered the name of a specific raga with well-defined melodic...
  • Raga Ahir Bhairav... and issues in raga grammar
    Since Bhatkhande’s documentation of raga grammar in the first quarter of the 20th century, “Vadi” and “Samvadi” swaras have been the pivot...
  • Pandit Nikhil Banerjee (1931-1986)
    P andit Nikhil Banerjee (1931-1986) was amongst the finest sitarists to emerge on the classical music platform in the post-independence era...

Hindustani music: a tradition in transition

Hindustani music: a tradition in transition
By Deepak Raja, Foreword: Pt. Shivkumar Sharma. Order from: indology@dkprintworld.com

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      • Prof. SK Saxena. pioneering aesthetician of Hindus...
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About Me

Deepak Raja
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Hindustani Sangeet and a Philosopher of Art

Hindustani Sangeet and a Philosopher of Art
Author:SK Saxena, Publisher: DK Printworld, New Delhi

Khayal Vocalism: Continuity within Change

Khayal Vocalism: Continuity within Change
By Deepak Raja. Foreword:Pt. Ulhas Kashalkar. Order from: indology@dkprintworld.com

Friday, April 18, 2014

Prof. SK Saxena. pioneering aesthetician of Hindustani music


This essay is now published in my book:


Posted by Deepak Raja at 10:50 AM
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