Deepak Raja's world of Hindustani Music

Explorations in the realm of Hindustani music.

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The Musician and His Art: Deepak Raja

The Musician and His Art: Deepak Raja
Foreword by: Prof. Daniel M Neuman

The Raga-ness of Raga-s

The Raga-ness of Raga-s
By: Deepak Raja. Foreword: Dr. Ashwini Bhide-Deshpande.

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Popular Posts

  • Raga Desh – classicist as well as romanticist
    Peter Manuel, an authority on the thumree and allied genres, has listed Desh amongst “thumree ragas” – ragas of the Khamaj parent scale, fre...
  • Pandit Nikhil Banerjee (1931-1986)
    P andit Nikhil Banerjee (1931-1986) was amongst the finest sitarists to emerge on the classical music platform in the post-independence era...
  • Bilaskhani Todi: a requiem for Miya Tansen
    The creation of Bilaskhani Todi, is attributed to Bilas Khan, one of the four sons  of Mian  Tansen  (1491-1583), the legendary musician  w...
  • Marwa, Puriya & Sohini: The tricky triplets
    Marwa, Puriya, and Sohini are three ragas born from the same scale (S-r-G-M^-D-N). The three are also amongst the most popular ragas in Hin...
  • Raga Ahir Bhairav... and issues in raga grammar
    Since Bhatkhande’s documentation of raga grammar in the first quarter of the 20th century, “Vadi” and “Samvadi” swaras have been the pivot...

Hindustani music: a tradition in transition

Hindustani music: a tradition in transition
By Deepak Raja, Foreword: Pt. Shivkumar Sharma. Order from: indology@dkprintworld.com

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      • Perspectives on "Raga-ness"
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About Me

Deepak Raja
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Hindustani Sangeet and a Philosopher of Art

Hindustani Sangeet and a Philosopher of Art
Author:SK Saxena, Publisher: DK Printworld, New Delhi

Khayal Vocalism: Continuity within Change

Khayal Vocalism: Continuity within Change
By Deepak Raja. Foreword:Pt. Ulhas Kashalkar. Order from: indology@dkprintworld.com

Monday, July 17, 2017

Perspectives on "Raga-ness"



This lecture is now published in my book:


Posted by Deepak Raja at 7:31 PM
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