Deepak Raja's world of Hindustani Music

Explorations in the realm of Hindustani music.

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The Musician and His Art: Deepak Raja

The Musician and His Art: Deepak Raja
Foreword by: Prof. Daniel M Neuman

The Raga-ness of Raga-s

The Raga-ness of Raga-s
By: Deepak Raja. Foreword: Dr. Ashwini Bhide-Deshpande.

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Popular Posts

  • Tabla Solo and the “Zakir Effect”
    A few years ago, I had interviewed a couple of senior Tabla professionals as part of my research for a book. They spoke of the “Zakir Effect...
  • Pandit DV Paluskar and the Paluskarite tradition
    DV Paluskar, through his father, Vishnu Digambar Paluskar, belonged to the Maharashtra stream of the Gwalior gharana, founded by Balkri...
  • Pandit Omkarnath Thakur (1897-1967)
    P andit Omkarnath Thakur, regal in appearance and bearing, dressed in flowing silken robes, and sporting a leonine mane of shoulder-length ...
  • Indrakishore Mishra – “Everyone thought the Bettiah Dhrupad gharana had disappeared”
    Mishra spoke to Deepak Raja on December 22, 2002 My gharana traces its origins to two brothers, Jasraj and Yuvraj Mallik, who ser...
  • Raga Bihag
    Bihag is a popular late evening raga in Hindustani classical music, but not too common in the semi-classical genres. In classical music, ho...

Hindustani music: a tradition in transition

Hindustani music: a tradition in transition
By Deepak Raja, Foreword: Pt. Shivkumar Sharma. Order from: indology@dkprintworld.com

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      • Perspectives on "Raga-ness"
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About Me

Deepak Raja
View my complete profile

Hindustani Sangeet and a Philosopher of Art

Hindustani Sangeet and a Philosopher of Art
Author:SK Saxena, Publisher: DK Printworld, New Delhi

Khayal Vocalism: Continuity within Change

Khayal Vocalism: Continuity within Change
By Deepak Raja. Foreword:Pt. Ulhas Kashalkar. Order from: indology@dkprintworld.com

Monday, July 17, 2017

Perspectives on "Raga-ness"



This lecture is now published in my book:


Posted by Deepak Raja at 7:31 PM
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