Deepak Raja's world of Hindustani Music
Explorations in the realm of Hindustani music.
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The Raga-ness of Raga-s
By: Deepak Raja. Foreword: Dr. Ashwini Bhide-Deshpande.
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Pt. Brijbhushan Kabra (1937-2018) and the Indian Classical Guitar
Until the 1960s, the Hawaiian Slide Guitar had been heard mainly in film songs, and in the regional music of Bengal. The credit for elev...
Shaping a life in classical music
Paper presented to the Seminar on Pedagogy of Performing Arts, hosted by the Lalit Kala Kendra, Gurukul, Savitribai Phule Pune University...
Purva and Puriya Kalyan: What’s the difference?
Purva (also called Purvya) belongs to a cluster of ragas bearing a family resemblance to raga Puriya in terms of swara material, and phraseo...
Manjusha Kulkarni-Patil: the busiest Hindustani vocalist?
With upwards of 50 concert appearances a year, straddling Khayal and Natya Sangeet genres, Manjusha Kulkarni-Patil could well be the busie...
Ustad Bismillah Khan (1916-2006)
Ustad Bismillah Khan (1916-2006) was easily the single most popular Hindustani musician of the 20th century, while also enjoying stature on...
Hindustani music: a tradition in transition
By Deepak Raja, Foreword: Pt. Shivkumar Sharma. Order from: indology@dkprintworld.com
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Ustad Abdul Lateef Khan Interview Part II March 20...
Ustad Abdul Lateef Khan spoke to Deepak Raja PART...
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About Me
Deepak Raja
View my complete profile
Hindustani Sangeet and a Philosopher of Art
Author:SK Saxena, Publisher: DK Printworld, New Delhi
Perspectives on Dhrupad
Editors: Deepak Raja & Suvarnalata Rao. Indian Musicological Society. Order from: profrcmehta@yahoo.com
Khayal Vocalism: Continuity within Change
By Deepak Raja. Foreword:Pt. Ulhas Kashalkar. Order from: indology@dkprintworld.com
Monday, February 20, 2017
Ustad Abdul Lateef Khan Interview Part II March 2001
Wednesday, February 15, 2017
Ustad Abdul Lateef Khan spoke to Deepak Raja PART I (05-03-2000)
Thursday, February 9, 2017
Ashwini Bhide-Deshpande on life and music (09/09/2000)
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