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The Raga-ness of Raga-s
By: Deepak Raja. Foreword: Dr. Ashwini Bhide-Deshpande.
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My interest in neurological facets of music is nascent. My familiarity with the subject is negligible. My first serious look at it was o...
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The mathematics of music means piano strings can never be in perfect harmony Unlike with guitars and violins, pianos’ strings can ...
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Purva (also called Purvya) belongs to a cluster of ragas bearing a family resemblance to raga Puriya in terms of swara material, and phraseo...
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H irabai Barodekar (1905-1989) was amongst the most distinguished and popular Hindustani vocalists of the 20th century, and almost certainl... -
With upwards of 50 concert appearances a year, straddling Khayal and Natya Sangeet genres, Manjusha Kulkarni-Patil could well be the busie...
Hindustani music: a tradition in transition
By Deepak Raja, Foreword: Pt. Shivkumar Sharma. Order from: indology@dkprintworld.com
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Hindustani Sangeet and a Philosopher of Art
Author:SK Saxena, Publisher: DK Printworld, New Delhi
Perspectives on Dhrupad
Editors: Deepak Raja & Suvarnalata Rao. Indian Musicological Society. Order from: profrcmehta@yahoo.com
Khayal Vocalism: Continuity within Change
By Deepak Raja. Foreword:Pt. Ulhas Kashalkar. Order from: indology@dkprintworld.com