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The Raga-ness of Raga-s
By: Deepak Raja. Foreword: Dr. Ashwini Bhide-Deshpande.
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Until the 1960s, the Hawaiian Slide Guitar had been heard mainly in film songs, and in the regional music of Bengal. The credit for elev... -
Paper presented to the Seminar on Pedagogy of Performing Arts, hosted by the Lalit Kala Kendra, Gurukul, Savitribai Phule Pune University... -
Purva (also called Purvya) belongs to a cluster of ragas bearing a family resemblance to raga Puriya in terms of swara material, and phraseo...
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With upwards of 50 concert appearances a year, straddling Khayal and Natya Sangeet genres, Manjusha Kulkarni-Patil could well be the busie... -
Ustad Bismillah Khan (1916-2006) was easily the single most popular Hindustani musician of the 20th century, while also enjoying stature on...
Hindustani music: a tradition in transition
By Deepak Raja, Foreword: Pt. Shivkumar Sharma. Order from: indology@dkprintworld.com
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Hindustani Sangeet and a Philosopher of Art
Author:SK Saxena, Publisher: DK Printworld, New Delhi
Perspectives on Dhrupad
Editors: Deepak Raja & Suvarnalata Rao. Indian Musicological Society. Order from: profrcmehta@yahoo.com
Khayal Vocalism: Continuity within Change
By Deepak Raja. Foreword:Pt. Ulhas Kashalkar. Order from: indology@dkprintworld.com