Deepak Raja's world of Hindustani Music
Explorations in the realm of Hindustani music.
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The Musician and His Art: Deepak Raja
Foreword by: Prof. Daniel M Neuman
The Raga-ness of Raga-s
By: Deepak Raja. Foreword: Dr. Ashwini Bhide-Deshpande.
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Sanjh Saravali – Ustad Vilayat Khan’s Magnum Opus
It is known of Ustad Vilayat Khan, that he did not particularly care either about adopting new ragas crated by others, or about creating ra...
Sitar Music Today
On January 16, 2004, two months before his father Ustad Vilayat Khan’s demise, I was talking to Ustad Shujaat Khan about his perceptions of...
Time and Season in Raga Performance
Justin Ryan, Denver University, Colorado, USA November 2006 Justin Ryan is working toward a Master's degree in Musicology from the L...
"The Surbahar's future? Andhakarmoy" অন্ধকারময় says Smt. Annapoorna Devi
In August 2009, I sought an interview with one of the most distinguished performers on the Surbahar, Smt. Annapoorna Devi. Getting a pe...
Jugalbandi-s in Hindustani music: Is 1+1=3?
During my interviews with several leading musicians – mainly instrumentalists-- I have found considerable lack of enthusiasm, sometimes ev...
Hindustani music: a tradition in transition
By Deepak Raja, Foreword: Pt. Shivkumar Sharma. Order from: indology@dkprintworld.com
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Pt. Shrikant Waikar, Raga Puriya and Raga Anandi K...
Wherein resides the Raga: यसमिन्वसति रागः
Bhakti (the devotional spirit) in Hindustani music
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About Me
Deepak Raja
View my complete profile
Hindustani Sangeet and a Philosopher of Art
Author:SK Saxena, Publisher: DK Printworld, New Delhi
Khayal Vocalism: Continuity within Change
By Deepak Raja. Foreword:Pt. Ulhas Kashalkar. Order from: indology@dkprintworld.com
Wednesday, January 31, 2018
Pt. Shrikant Waikar, Raga Puriya and Raga Anandi Kedar
Wednesday, January 17, 2018
Wherein resides the Raga: यसमिन्वसति रागः
This essay is now published in my book:
Thursday, January 11, 2018
Bhakti (the devotional spirit) in Hindustani music
This essay is now published in my forthcoming book:
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