Deepak Raja's world of Hindustani Music
Explorations in the realm of Hindustani music.
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The Musician and His Art: Deepak Raja
Foreword by: Prof. Daniel M Neuman
The Raga-ness of Raga-s
By: Deepak Raja. Foreword: Dr. Ashwini Bhide-Deshpande.
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Popular Posts
Sitar Music Today. Part II
In the conclusion to Part I of this exploration, I had raised a few questions about the role of the Sitar in the emerging musical enviro...
Aesthetic obsolescence VI: Limitations of Youtube data
This study is now published in my book:
Ustad Vilayat Khan: The orthodox revolutionary
Epochal artists provoke either adulation or criticism during their lifetimes. The interpretation of their art and their contribution begins...
The Ragascape of Hindustani Music: I
About a hundred years ago, VN Bhatkhande published compositions in 181 Raga-s, of which he described 45 as being “Prasiddha” . The rema...
Pandit DV Paluskar and the Paluskarite tradition
DV Paluskar, through his father, Vishnu Digambar Paluskar, belonged to the Maharashtra stream of the Gwalior gharana, founded by Balkri...
Hindustani music: a tradition in transition
By Deepak Raja, Foreword: Pt. Shivkumar Sharma. Order from: indology@dkprintworld.com
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Pt. Shrikant Waikar, Raga Puriya and Raga Anandi K...
Wherein resides the Raga: यसमिन्वसति रागः
Bhakti (the devotional spirit) in Hindustani music
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About Me
Deepak Raja
View my complete profile
Hindustani Sangeet and a Philosopher of Art
Author:SK Saxena, Publisher: DK Printworld, New Delhi
Khayal Vocalism: Continuity within Change
By Deepak Raja. Foreword:Pt. Ulhas Kashalkar. Order from: indology@dkprintworld.com
Wednesday, January 31, 2018
Pt. Shrikant Waikar, Raga Puriya and Raga Anandi Kedar
Wednesday, January 17, 2018
Wherein resides the Raga: यसमिन्वसति रागः
This essay is now published in my book:
Thursday, January 11, 2018
Bhakti (the devotional spirit) in Hindustani music
This essay is now published in my forthcoming book:
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