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The Musician and His Art: Deepak Raja
Foreword by: Prof. Daniel M Neuman
The Raga-ness of Raga-s
By: Deepak Raja. Foreword: Dr. Ashwini Bhide-Deshpande.
Popular Posts
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P andit Mallikarjun Mansur was amongst leading Khayal vocalists of the post-independence period, and the only significant male vocalist to ... -
By: Prof. N Ramanathan, Former Head of Department of Music, Madras University, Published in: Sruti, Issue of May 2006. " This book ... -
P andit Kumar Gandharva (1924-1992) was easily the most original, and the most controversial Hindustani vocalist of the 20th century. His m... -
Bihag is a popular late evening raga in Hindustani classical music, but not too common in the semi-classical genres. In classical music, ho...
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A few years ago, I had interviewed a couple of senior Tabla professionals as part of my research for a book. They spoke of the “Zakir Effect...
Hindustani music: a tradition in transition
By Deepak Raja, Foreword: Pt. Shivkumar Sharma. Order from: indology@dkprintworld.com
Hindustani Sangeet and a Philosopher of Art
Author:SK Saxena, Publisher: DK Printworld, New Delhi
Khayal Vocalism: Continuity within Change
By Deepak Raja. Foreword:Pt. Ulhas Kashalkar. Order from: indology@dkprintworld.com