Deepak Raja's world of Hindustani Music
Explorations in the realm of Hindustani music.
Tuesday, December 16, 2014
The emerging generation of Khayal vocalists
›
This essay is now published in my book:
Saturday, November 15, 2014
Raag Jhinjhoti, Alap-Jod. 1991
›
My recording of Jhinjhoti (Alap-Jod) from 1991, has been amongst the YoutTube uploads which elicited some acknowledgement from connoisseu...
Thursday, November 6, 2014
Raga Multani July 12, 2014
›
A musician is only as good as his last concert. Mine took place on Guru Purnima (July 12) 2014, after a 20-year delinquency from riyaz an...
Sunday, September 21, 2014
Vasantrao Deshpande Award. January 19, 2014. Acceptance speech
›
Vidwan Vikku Vinayakram conferring the award डॉक्टर वसंतराव देशपांडे स्मृति सम्मान जो मुझे आज प्रदान किया गया है, उसके लिये मैं वसं...
Friday, June 6, 2014
Raga Shuddha Chhaya: Elusive component of a popular compound
›
This essay is now published in my fourth book: Removing it from here was considered proper, though not contractually obligatory,...
Dhondutai Kulkarni (1927-2014)
›
Dhondutai Kulkarni, the Jaipur-Atrauli gharana stalwart, refused to flow with the tide of populism, and consolidated her position...
Monday, May 26, 2014
Hindustani Music in the Baroda State
›
This essay is now published in my book:
Friday, May 9, 2014
Musicologist... by an unorthodox route
›
In 1967, the Indian Institute of Management, Ahmedabad, made the mistake of giving me admission to the 2-year full-time MBA programme. T...
Friday, April 18, 2014
Prof. SK Saxena. pioneering aesthetician of Hindustani music
›
This essay is now published in my book:
Tuesday, August 20, 2013
Raga Lalit: Tonal geometry and melodic mischief
›
Lalit is amongst the older and more popular ragas of the Hindustani system. It bears a close resemblance to raga Lalitha of the Carnati...
‹
›
Home
View web version