Deepak Raja's world of Hindustani Music
Explorations in the realm of Hindustani music.
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The Musician and His Art: Deepak Raja
Foreword by: Prof. Daniel M Neuman
The Raga-ness of Raga-s
By: Deepak Raja. Foreword: Dr. Ashwini Bhide-Deshpande.
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Jugalbandi-s in Hindustani music: Is 1+1=3?
During my interviews with several leading musicians – mainly instrumentalists-- I have found considerable lack of enthusiasm, sometimes ev...
Sitar Music Today. Part II
In the conclusion to Part I of this exploration, I had raised a few questions about the role of the Sitar in the emerging musical enviro...
Time and Season in Raga Performance
Justin Ryan, Denver University, Colorado, USA November 2006 Justin Ryan is working toward a Master's degree in Musicology from the L...
Pandit Omkarnath Thakur (1897-1967)
P andit Omkarnath Thakur, regal in appearance and bearing, dressed in flowing silken robes, and sporting a leonine mane of shoulder-length ...
Sitar Music Today. Part I
On January 16, 2004, two months before his father Ustad Vilayat Khan’s demise, I was talking to Ustad Shujaat Khan about his perceptions of...
Hindustani music: a tradition in transition
By Deepak Raja, Foreword: Pt. Shivkumar Sharma. Order from: indology@dkprintworld.com
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Raga Basant Mukhari – A Carnatic raga seeking a Hi...
Ustad Asad Ali Khan – “The university is no place ...
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About Me
Deepak Raja
View my complete profile
Hindustani Sangeet and a Philosopher of Art
Author:SK Saxena, Publisher: DK Printworld, New Delhi
Khayal Vocalism: Continuity within Change
By Deepak Raja. Foreword:Pt. Ulhas Kashalkar. Order from: indology@dkprintworld.com
Sunday, June 27, 2010
Raga Basant Mukhari – A Carnatic raga seeking a Hindustani identity
This essay is now published in my fourth book:
Removing it from this blog was proper, though not contractually obligatory, in order to protect my publisher's investment in my book.
DR
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