Deepak Raja's world of Hindustani Music
Explorations in the realm of Hindustani music.
Total Pageviews
The Musician and His Art: Deepak Raja
Foreword by: Prof. Daniel M Neuman
The Raga-ness of Raga-s
By: Deepak Raja. Foreword: Dr. Ashwini Bhide-Deshpande.
Followers
Popular Posts
Raga Shuddha Kalyan: How and why it is changing
Shuddha Kalyan is a popular, though difficult, raga of the Kalyan parent scale. The raga is pentatonic in the ascent and heptatonic in the d...
Pandit DV Paluskar and the Paluskarite tradition
DV Paluskar, through his father, Vishnu Digambar Paluskar, belonged to the Maharashtra stream of the Gwalior gharana, founded by Balkri...
Briefs on Hindustani musical instruments
The classification of instruments: Around 3000 BC, the Chinese are known to have classified musical instruments based on the material from...
Purva and Puriya Kalyan: What’s the difference?
Purva (also called Purvya) belongs to a cluster of ragas bearing a family resemblance to raga Puriya in terms of swara material, and phraseo...
Kishori Amonkar : the queen of romanticism
Kishori Amonkar (born: 1931) is by far the most influential female Hindustani vocalist to emerge in independent India. She is the daughter...
Hindustani music: a tradition in transition
By Deepak Raja, Foreword: Pt. Shivkumar Sharma. Order from: indology@dkprintworld.com
Blog Archive
►
2026
(3)
►
March
(1)
►
February
(1)
►
January
(1)
►
2025
(1)
►
December
(1)
►
2021
(5)
►
December
(3)
►
April
(1)
►
February
(1)
►
2020
(8)
►
October
(1)
►
September
(1)
►
June
(6)
►
2018
(11)
►
November
(1)
►
October
(1)
►
June
(1)
►
April
(1)
►
March
(1)
►
February
(3)
►
January
(3)
►
2017
(10)
►
October
(1)
►
September
(1)
►
August
(2)
►
July
(1)
►
February
(3)
►
January
(2)
►
2016
(4)
►
November
(1)
►
April
(3)
►
2015
(23)
►
September
(5)
►
August
(2)
►
June
(1)
►
May
(4)
►
April
(6)
►
March
(2)
►
February
(1)
►
January
(2)
►
2014
(9)
►
December
(1)
►
November
(2)
►
September
(1)
►
June
(2)
►
May
(2)
►
April
(1)
►
2013
(19)
►
August
(12)
►
July
(6)
►
January
(1)
►
2012
(4)
►
March
(3)
►
February
(1)
►
2011
(42)
►
December
(1)
►
October
(1)
►
August
(1)
►
July
(3)
►
June
(6)
►
May
(9)
►
April
(7)
►
March
(5)
►
February
(6)
►
January
(3)
►
2010
(18)
►
December
(5)
►
August
(1)
►
July
(1)
►
June
(3)
►
May
(1)
►
April
(3)
►
March
(2)
►
February
(1)
►
January
(1)
▼
2009
(20)
►
December
(2)
►
November
(1)
►
October
(3)
►
September
(3)
►
August
(2)
►
July
(2)
►
May
(1)
►
April
(1)
►
March
(1)
►
February
(2)
▼
January
(2)
Raga Gorakh Kalyan – emerging as a Bageshri variant
Khayal Vocalism: Continuity within Change
►
2008
(23)
►
December
(2)
►
November
(2)
►
September
(3)
►
August
(2)
►
July
(4)
►
June
(1)
►
May
(1)
►
April
(3)
►
March
(1)
►
February
(2)
►
January
(2)
►
2007
(7)
►
December
(1)
►
November
(2)
►
September
(1)
►
August
(2)
►
April
(1)
About Me
Deepak Raja
View my complete profile
Hindustani Sangeet and a Philosopher of Art
Author:SK Saxena, Publisher: DK Printworld, New Delhi
Khayal Vocalism: Continuity within Change
By Deepak Raja. Foreword:Pt. Ulhas Kashalkar. Order from: indology@dkprintworld.com
Tuesday, January 27, 2009
Raga Gorakh Kalyan – emerging as a Bageshri variant
This essay is now published in my fourth book:
Removing it from here was considered proper, though not contractually obligatory, in order to protect my publisher's investment in my book.
DR
No comments:
Post a Comment
Newer Post
Older Post
Home
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment