Deepak Raja's world of Hindustani Music
Explorations in the realm of Hindustani music.
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The Musician and His Art: Deepak Raja
Foreword by: Prof. Daniel M Neuman
The Raga-ness of Raga-s
By: Deepak Raja. Foreword: Dr. Ashwini Bhide-Deshpande.
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Sitar Music Today
On January 16, 2004, two months before his father Ustad Vilayat Khan’s demise, I was talking to Ustad Shujaat Khan about his perceptions of...
Jugalbandi-s in Hindustani music: Is 1+1=3?
During my interviews with several leading musicians – mainly instrumentalists-- I have found considerable lack of enthusiasm, sometimes ev...
Time and Season in Raga Performance
Justin Ryan, Denver University, Colorado, USA November 2006 Justin Ryan is working toward a Master's degree in Musicology from the L...
Pandit Omkarnath Thakur (1897-1967)
P andit Omkarnath Thakur, regal in appearance and bearing, dressed in flowing silken robes, and sporting a leonine mane of shoulder-length ...
Raga Desh – classicist as well as romanticist
Peter Manuel, an authority on the thumree and allied genres, has listed Desh amongst “thumree ragas” – ragas of the Khamaj parent scale, fre...
Hindustani music: a tradition in transition
By Deepak Raja, Foreword: Pt. Shivkumar Sharma. Order from: indology@dkprintworld.com
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About Me
Deepak Raja
View my complete profile
Hindustani Sangeet and a Philosopher of Art
Author:SK Saxena, Publisher: DK Printworld, New Delhi
Khayal Vocalism: Continuity within Change
By Deepak Raja. Foreword:Pt. Ulhas Kashalkar. Order from: indology@dkprintworld.com
Monday, March 30, 2009
Raga Hemant: Genesis and trajectory
This essay is now published in my fourth book:
Removing it from here was proper, though not obligatory, in order that my publisher's investment in the book is protected.
DR
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