Deepak Raja's world of Hindustani Music
Explorations in the realm of Hindustani music.
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The Musician and His Art: Deepak Raja
Foreword by: Prof. Daniel M Neuman
The Raga-ness of Raga-s
By: Deepak Raja. Foreword: Dr. Ashwini Bhide-Deshpande.
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Pandit DV Paluskar and the Paluskarite tradition
DV Paluskar, through his father, Vishnu Digambar Paluskar, belonged to the Maharashtra stream of the Gwalior gharana, founded by Balkri...
Ustad Hafiz Ali Khan: The Last Interview
Ustad Hafiz Ali Khan By Lalita Khanna From: The Souvenir of the Ustad Hafiz Ali Khan Music Festival 1975 ...
Shamsuddin Faridi Desai – "The Qadri Sufis regard music as a pathway to God"
Shamsuddin Faridi Desai, amongst the last Rudra Veena players of the pre-independence generation, was not an easy man to interview. I tri...
Marwa, Puriya & Sohini: The tricky triplets
Marwa, Puriya, and Sohini are three ragas born from the same scale (S-r-G-M^-D-N). The three are also amongst the most popular ragas in Hin...
Pandit Nikhil Banerjee (1931-1986)
P andit Nikhil Banerjee (1931-1986) was amongst the finest sitarists to emerge on the classical music platform in the post-independence era...
Hindustani music: a tradition in transition
By Deepak Raja, Foreword: Pt. Shivkumar Sharma. Order from: indology@dkprintworld.com
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Hindustani Music in the Baroda State
Musicologist... by an unorthodox route
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About Me
Deepak Raja
View my complete profile
Hindustani Sangeet and a Philosopher of Art
Author:SK Saxena, Publisher: DK Printworld, New Delhi
Khayal Vocalism: Continuity within Change
By Deepak Raja. Foreword:Pt. Ulhas Kashalkar. Order from: indology@dkprintworld.com
Monday, May 26, 2014
Hindustani Music in the Baroda State
This essay is now published in my book:
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