This essay is now published in my book:
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The Raga-ness of Raga-s
By: Deepak Raja. Foreword: Dr. Ashwini Bhide-Deshpande.
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Purva (also called Purvya) belongs to a cluster of ragas bearing a family resemblance to raga Puriya in terms of swara material, and phraseo...
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November 8, 2018 Chitra Swaminathan Namita Devidayal’s book on Ustad Vilayat Khan is an interesting account of his life and musica... -
Shuddha Kalyan is a popular, though difficult, raga of the Kalyan parent scale. The raga is pentatonic in the ascent and heptatonic in the d...
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J aitashree an averagely well-known raga performed around sunset, and popularised primarily by vocalists of the Jaipur-Atrauli gharana in t...
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The creation of Ahir-Lalit is credited to Pandit Ravi Shankar. It was first recorded by him on a 78 RPM record [STCS-850176], probably in t...
Hindustani music: a tradition in transition
By Deepak Raja, Foreword: Pt. Shivkumar Sharma. Order from: indology@dkprintworld.com
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Hindustani Sangeet and a Philosopher of Art
Author:SK Saxena, Publisher: DK Printworld, New Delhi
Perspectives on Dhrupad
Editors: Deepak Raja & Suvarnalata Rao. Indian Musicological Society. Order from: profrcmehta@yahoo.com
Khayal Vocalism: Continuity within Change
By Deepak Raja. Foreword:Pt. Ulhas Kashalkar. Order from: indology@dkprintworld.com
