Deepak Raja's world of Hindustani Music
Explorations in the realm of Hindustani music.
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The Musician and His Art: Deepak Raja
Foreword by: Prof. Daniel M Neuman
The Raga-ness of Raga-s
By: Deepak Raja. Foreword: Dr. Ashwini Bhide-Deshpande.
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Pandit Omkarnath Thakur (1897-1967)
P andit Omkarnath Thakur, regal in appearance and bearing, dressed in flowing silken robes, and sporting a leonine mane of shoulder-length ...
Pandit DV Paluskar and the Paluskarite tradition
DV Paluskar, through his father, Vishnu Digambar Paluskar, belonged to the Maharashtra stream of the Gwalior gharana, founded by Balkri...
Ustad Ameer Khan (1912-1974)
Ustad Ameer Khan was easily the single most influential Hindustani vocalist of the 20th century. His music deeply influenced his contempora...
Pandit Nikhil Banerjee (1931-1986)
P andit Nikhil Banerjee (1931-1986) was amongst the finest sitarists to emerge on the classical music platform in the post-independence era...
Raga Vachaspati in Hindustani music
Vachaspati is a Carnatic raga, representing the Vachaspati parent-scale (64th Melakarta). In its Hindustani adaptation, it has the tone mate...
Hindustani music: a tradition in transition
By Deepak Raja, Foreword: Pt. Shivkumar Sharma. Order from: indology@dkprintworld.com
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Pt. Shrikant Waikar, Raga Puriya and Raga Anandi K...
Wherein resides the Raga: यसमिन्वसति रागः
Bhakti (the devotional spirit) in Hindustani music
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About Me
Deepak Raja
View my complete profile
Hindustani Sangeet and a Philosopher of Art
Author:SK Saxena, Publisher: DK Printworld, New Delhi
Khayal Vocalism: Continuity within Change
By Deepak Raja. Foreword:Pt. Ulhas Kashalkar. Order from: indology@dkprintworld.com
Wednesday, January 31, 2018
Pt. Shrikant Waikar, Raga Puriya and Raga Anandi Kedar
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