Deepak Raja's world of Hindustani Music

Explorations in the realm of Hindustani music.

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The Musician and His Art: Deepak Raja

The Musician and His Art: Deepak Raja
Foreword by: Prof. Daniel M Neuman

The Raga-ness of Raga-s

The Raga-ness of Raga-s
By: Deepak Raja. Foreword: Dr. Ashwini Bhide-Deshpande.

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Popular Posts

  • Marwa, Puriya & Sohini: The tricky triplets
    Marwa, Puriya, and Sohini are three ragas born from the same scale (S-r-G-M^-D-N). The three are also amongst the most popular ragas in Hin...
  • Pandit Omkarnath Thakur (1897-1967)
    P andit Omkarnath Thakur, regal in appearance and bearing, dressed in flowing silken robes, and sporting a leonine mane of shoulder-length ...
  • Purva and Puriya Kalyan: What’s the difference?
    Purva (also called Purvya) belongs to a cluster of ragas bearing a family resemblance to raga Puriya in terms of swara material, and phraseo...
  • Raga Shuddha Kalyan: How and why it is changing
    Shuddha Kalyan is a popular, though difficult, raga of the Kalyan parent scale. The raga is pentatonic in the ascent and heptatonic in the d...
  • Raga Ahiri: Neither Ahiri Todi, nor Ahir Bhairav – just Ahiri
    Until a few years ago, I had not heard Raga Ahiri. The opportunity of studying it came my way when I had to write a commentary on the sarodi...

Hindustani music: a tradition in transition

Hindustani music: a tradition in transition
By Deepak Raja, Foreword: Pt. Shivkumar Sharma. Order from: indology@dkprintworld.com

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About Me

Deepak Raja
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Hindustani Sangeet and a Philosopher of Art

Hindustani Sangeet and a Philosopher of Art
Author:SK Saxena, Publisher: DK Printworld, New Delhi

Khayal Vocalism: Continuity within Change

Khayal Vocalism: Continuity within Change
By Deepak Raja. Foreword:Pt. Ulhas Kashalkar. Order from: indology@dkprintworld.com

Wednesday, October 31, 2018

The Musician and his Art: to be published soon.






















Posted by Deepak Raja at 5:20 PM
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