Deepak Raja's world of Hindustani Music
Explorations in the realm of Hindustani music.
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The Musician and His Art: Deepak Raja
Foreword by: Prof. Daniel M Neuman
The Raga-ness of Raga-s
By: Deepak Raja. Foreword: Dr. Ashwini Bhide-Deshpande.
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Sitar Music Today
On January 16, 2004, two months before his father Ustad Vilayat Khan’s demise, I was talking to Ustad Shujaat Khan about his perceptions of...
Sanjh Saravali – Ustad Vilayat Khan’s Magnum Opus
It is known of Ustad Vilayat Khan, that he did not particularly care either about adopting new ragas crated by others, or about creating ra...
Jugalbandi-s in Hindustani music: Is 1+1=3?
During my interviews with several leading musicians – mainly instrumentalists-- I have found considerable lack of enthusiasm, sometimes ev...
Time and Season in Raga Performance
Justin Ryan, Denver University, Colorado, USA November 2006 Justin Ryan is working toward a Master's degree in Musicology from the L...
Pandit Omkarnath Thakur (1897-1967)
P andit Omkarnath Thakur, regal in appearance and bearing, dressed in flowing silken robes, and sporting a leonine mane of shoulder-length ...
Hindustani music: a tradition in transition
By Deepak Raja, Foreword: Pt. Shivkumar Sharma. Order from: indology@dkprintworld.com
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Raga Shree: Supplicant, spooky, or belligerent?
Raga Megh Malhar
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About Me
Deepak Raja
View my complete profile
Hindustani Sangeet and a Philosopher of Art
Author:SK Saxena, Publisher: DK Printworld, New Delhi
Khayal Vocalism: Continuity within Change
By Deepak Raja. Foreword:Pt. Ulhas Kashalkar. Order from: indology@dkprintworld.com
Thursday, December 3, 2009
Raga Megh Malhar
This essay is now published in my fourth book:
Removing it from here was considered proper, though not contractually obligatory, in order to protect the investment of my publisher in the book.
DR
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