Deepak Raja's world of Hindustani Music
Explorations in the realm of Hindustani music.
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The Musician and His Art: Deepak Raja
Foreword by: Prof. Daniel M Neuman
The Raga-ness of Raga-s
By: Deepak Raja. Foreword: Dr. Ashwini Bhide-Deshpande.
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Pandit Omkarnath Thakur (1897-1967)
P andit Omkarnath Thakur, regal in appearance and bearing, dressed in flowing silken robes, and sporting a leonine mane of shoulder-length ...
Pandit DV Paluskar and the Paluskarite tradition
DV Paluskar, through his father, Vishnu Digambar Paluskar, belonged to the Maharashtra stream of the Gwalior gharana, founded by Balkri...
Ustad Ameer Khan (1912-1974)
Ustad Ameer Khan was easily the single most influential Hindustani vocalist of the 20th century. His music deeply influenced his contempora...
Pandit Nikhil Banerjee (1931-1986)
P andit Nikhil Banerjee (1931-1986) was amongst the finest sitarists to emerge on the classical music platform in the post-independence era...
Raga Ahir-Lalit: an evolving melodic entity
The creation of Ahir-Lalit is credited to Pandit Ravi Shankar. It was first recorded by him on a 78 RPM record [STCS-850176], probably in t...
Hindustani music: a tradition in transition
By Deepak Raja, Foreword: Pt. Shivkumar Sharma. Order from: indology@dkprintworld.com
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Raga Shree: Supplicant, spooky, or belligerent?
Raga Megh Malhar
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About Me
Deepak Raja
View my complete profile
Hindustani Sangeet and a Philosopher of Art
Author:SK Saxena, Publisher: DK Printworld, New Delhi
Khayal Vocalism: Continuity within Change
By Deepak Raja. Foreword:Pt. Ulhas Kashalkar. Order from: indology@dkprintworld.com
Thursday, December 3, 2009
Raga Megh Malhar
This essay is now published in my fourth book:
Removing it from here was considered proper, though not contractually obligatory, in order to protect the investment of my publisher in the book.
DR
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