This study is now published in my book:
The Musician and His Art: Deepak Raja
Foreword by: Prof. Daniel M Neuman
The Raga-ness of Raga-s
By: Deepak Raja. Foreword: Dr. Ashwini Bhide-Deshpande.
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Epochal artists provoke either adulation or criticism during their lifetimes. The interpretation of their art and their contribution begins... -
In the conclusion to Part I of this exploration, I had raised a few questions about the role of the Sitar in the emerging musical enviro... -
About a hundred years ago, VN Bhatkhande published compositions in 181 Raga-s, of which he described 45 as being “Prasiddha” . The rema...
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A few years ago, I had interviewed a couple of senior Tabla exponents as part of my research for a book. They spoke of the “Zakir Effect”....
Hindustani music: a tradition in transition
By Deepak Raja, Foreword: Pt. Shivkumar Sharma. Order from: indology@dkprintworld.com
Hindustani Sangeet and a Philosopher of Art
Author:SK Saxena, Publisher: DK Printworld, New Delhi
Khayal Vocalism: Continuity within Change
By Deepak Raja. Foreword:Pt. Ulhas Kashalkar. Order from: indology@dkprintworld.com
