Wednesday, January 31, 2018
Wednesday, January 17, 2018
Thursday, January 11, 2018
Bhakti (the devotional spirit) in Hindustani music
This essay is now published in my forthcoming book:
Subscribe to:
Posts (Atom)
The Musician and His Art: Deepak Raja
Foreword by: Prof. Daniel M Neuman
The Raga-ness of Raga-s
By: Deepak Raja. Foreword: Dr. Ashwini Bhide-Deshpande.
Popular Posts
-
DV Paluskar, through his father, Vishnu Digambar Paluskar, belonged to the Maharashtra stream of the Gwalior gharana, founded by Balkri... -
Shamsuddin Faridi Desai, amongst the last Rudra Veena players of the pre-independence generation, was not an easy man to interview. I tri... -
November 8, 2018 Chitra Swaminathan Namita Devidayal’s book on Ustad Vilayat Khan is an interesting account of his life and musica... -
Ustad Hafiz Ali Khan By Lalita Khanna From: The Souvenir of the Ustad Hafiz Ali Khan Music Festival 1975 ... -
Marwa, Puriya, and Sohini are three ragas born from the same scale (S-r-G-M^-D-N). The three are also amongst the most popular ragas in Hin...
Hindustani music: a tradition in transition
By Deepak Raja, Foreword: Pt. Shivkumar Sharma. Order from: indology@dkprintworld.com
Hindustani Sangeet and a Philosopher of Art
Author:SK Saxena, Publisher: DK Printworld, New Delhi
Khayal Vocalism: Continuity within Change
By Deepak Raja. Foreword:Pt. Ulhas Kashalkar. Order from: indology@dkprintworld.com
This essay is now published in my forthcoming book: