The Musician and His Art: Deepak Raja
Foreword by: Prof. Daniel M Neuman
The Raga-ness of Raga-s
By: Deepak Raja. Foreword: Dr. Ashwini Bhide-Deshpande.
Popular Posts
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Miya-ki Todi, also known as, Todi, Darbari Todi, and sometimes Shuddha Todi, is amongst the more popular morning ragas of Hindustani music. ...
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Multani is amongst the popular afternoon ragas in the Hindustani system. It is classified under the Todi parent scale. The raga is prescrib...
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Jog is an immensely popular and versatile post-sunset raga in contemporary music.. The raga now enjoys considerable popularity also in the s...
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P andit Omkarnath Thakur, regal in appearance and bearing, dressed in flowing silken robes, and sporting a leonine mane of shoulder-length ... -
When I first heard Kshem Kalyan, I was totally charmed. I looked for authoritative documentation; but I found none. I acquired the few av...
Hindustani music: a tradition in transition
By Deepak Raja, Foreword: Pt. Shivkumar Sharma. Order from: indology@dkprintworld.com
Hindustani Sangeet and a Philosopher of Art
Author:SK Saxena, Publisher: DK Printworld, New Delhi
Khayal Vocalism: Continuity within Change
By Deepak Raja. Foreword:Pt. Ulhas Kashalkar. Order from: indology@dkprintworld.com
